It doesn’t hurt and it hasn’t swollen at all/no blood, but it’s the weirdest sensation ever. It’s just THERE.
Just had my nose pierced. Slowly dealing with my phobia of needles, one desensitization at a time.
My new OTP
Because Lydia Martin is not some prize to be won
my response to the Teen Wolf Facebook poll
conservative bronies is the most terrifying combination of words I have heard in a long time
Holy fucking shit
Try walking around without wiping your butt for a day or a week. Yep now try laying down in shit for 4-6 weeks, most of it isnt your own. Then add some blood and some mucus. Then grab some chains. Slavery was that bad. dont u ever fucking tell me it wasnt! (via howtobenoladarling)
Not to mention every now and then you were raped by those that were working the ships. Male and female were raped.
24 hrs laying in extremely tight positions with hundreds of people that are suffering from all kinds of diseases due to malnutrition. Weather wasnt always the way the ship owners planned and voyages took longer than usually, the longest I was told by a professor was a whole year.
Most people have no idea what happened to our ancestors, and that’s due to the fact that the powers that be want to act like it never happened.
Reblogging some real shit from my Liked posts. Because fuck you.
And let’s add on the fact that ships have to make port and re-supply and between Africa and America lay the Caribbean and South America, which still took a great deal more to travel to. So families were separated not only by death and torment, but by members being sold off on a different continent than where they might have been bound.
Not to mention ships get blown off course, and the slave next to you might have died and you have to sleep next to a corpse for who knows how long before the crew finally decides to handle it and toss it overboard like so much offal.
Sharks still follow the course of the slave trade ships till this day due to the amount of offal and human bodies that were tossed overboard in the ship’s wake.
(Damn is that last thing about sharks true?!)
Yes. They threw so many bodies overboard it changed the ecological feeding patterns of sharks. They follow the slave ships from dock to port. They were even used as an act of terrorism to force Africans on to ships and encourage them not to commit suicide. Slave ships were often packed for collateral damage. It was estimated that many would not make the journey and all those bodies thrown overboard were insured. That’s how insurance companies got their start… It’s also how many families built their family fortune.
This was a business.
My educated black people.
FOREVER reblog.. (via nedahoyin)
if you dont believe in nonbinary genders go away [clap clap]
if you misgender nonbinary people with binary pronouns go away [clap clap]
if you’re an asshole and you know it and you really wanna show it, if you misgender nb people…
STORY IDEA: YOUR DOOR BELL RINGS AND ITS A PERSON FROM AN ALTERNATE UNIVERSE “I JUST WANT YOU TO KNOW THAT YOU ARE MY FAVORITE BOOK CHARACTER AND I KNOW HOW IT ENDS AND I WANNA CHANGE IT”
WHY DID YOU DO THAT TO ME
This lamp absorbs 150 times more CO2 than a tree
It’s still in the “so crazy it just might work” stage, but these microalgae-powered lamps, invented by French biochemist Pierre Calleja, could absorb a ton of carbon from the air every year. That’s as much as 150 to 200 trees. [x]
YOU DON’T UNDERSTAND. This is ingenious.
The design is a light bulb surrounded by a glass casing. The glass is filled with (water based) media and microalgae. The top is permeable to gasses so that gas exchange can occur. All of the wiring is linked to the grid underground.
Since the light source is inside, it gets scattered and “dimmed” by the water and algae. This makes it less glaringly bright and scatters the light wider, which is good for a street light. It is not longer white light as well, which helps make it easier on the eyes while still providing light.
At the same time, it provides the light for photosynthesis in the algae, so they are continuously exchanging CO2 for O2, not just in the day. It also provides a source of heat, which helps keep the algae from going dormant during cold weather (as in the snowy picture above).
And notice how I did not specify permeability - that’s because NOx’s (NO and NO2) are also permeable and can be used as nitrogen sources to microalgae. In fact, algae are relatively low maintenance. As autotrophs, they don’t require super complex media, not does it really need to be changed/added to. (I’m actually fairly certain that there would still be algae in these tanks a year later; it may need to be cleaned or something, but there would be some living algae.)
I decided to ignore anything pertaining to the film ‘Frozen’ a long time ago - the misrepresentation of the Saami in it, or rather the combination of misinformation and problematic myth-making in it did not appeal to me at all, I had already explained why I disapproved of the bastardisation of our traditional clothes at length and with far more pressing issues at hand, such as the revival of my maternal language or the fight against fierce colonialism on our ancestral lands, I neither felt compelled to nor had the time to waste more time on a Disney film which contributes virtually nothing to the cultural wealth and knowledge of my people.
But then someone submitted a post to the blog “Unpopular Opinions” here on Tumblr, and ever since, my inbox has been filled with angry, anonymous messages about how I have no right to be dismissive of the film as this unnamed person presented themselves as Saami and claimed that the film was loved by most Saami, and any critique of it was hurting the Saami.
I heavily disagree, critical discussions about representations are always needed, especially when we’re talking about members of indigenous peoples and other minorities and everything I have said about the film with regards to its false claims to Saami-ness stands, but to perhaps stop my inbox from being filled with more trite from people I don’t know, I’ll spend the rest of this post talking about ‘Frozen’ one single, last time, rather than rolling my eyes at inane messages on a daily basis.
I do not pretend to be speaking for anyone but myself, nor do I hide my identity behind a veil of anonymity. I am for better and worse fairly well-known within my own community, so I’ll say this for the last time, when I state that I find the film problematic because of how it deals with the Saami, I am expressing my own opinions.
I do not speak for the entirety of my people, nor do I actually see a problem with some Saami liking the film or disliking it as I do.
But as for the film.
In short there are three main things that particularly bug me; the first concerns the opening song, the second deals with the way our traditional clothes have been re-imagined by Disney and the last beef I have with Disney has to do with the director’s claim that Kristoff is Saami without showing any non-fictional proof whatsoever of this throughout the entire film.
But let’s start with the opening song, seeing as comments made by the President of the Norwegian Saami Parliament with regards to it has been interpreted as her loving the film.
In her New Year’s Speech, the president stated that ‘
‘the yoik “Eatnamen Vuelie” and Fjellheim’s musical talent is now making a whole world listen - to yoik. We are seeing the same in other cultural expressions: the Saami culture is expanding to ever new audiences’
It may come as a surprise, but I do agree with Aili Keskitalo as far as her statement goes - it is a great thing that we’re seeing our culture gaining new grounds - but only insofar as it’s being read in connection with the following paragraphs of her speech which have conveniently been left out of the quote by the majority of people on Tumblr.
In her speech, Aili Keskitalo goes on to say that “but often we experience that stories about us are being told by others than ourselves”. In other words, while not criticising the film per se, she’s not endorsing it either as some people have been claiming - she’s merely applauding the fact that Saami music is getting world-wide attention, followed by a paragraph where she high-lights the problematic aspects of having outsiders tell our stories without our involvement in them.
Now, ‘Vuelie’, has indeed been written by a South Saami composer, this is something I personally like, especially as I as a yoiker admire Frode Fjellheim’s work as far as the revitalisation of South Saami yoiking goes, but the choir performing it is not Saami, and as such I do not see Vuelie as an inclusion of a Saami voice in the film, but rather as a way to include something which is evocative and exotic, in the same way as the opening song of Pocahontas.
My opinions with regards to Vuelie would have been completely different, had Disney employed e.g. the Saami youth choir Vaajmoe to record the song, but seeing as they chose to employ a non-Saami choir, despite having asked Frode Fjellheim to rewrite his tune Eatnemen Vuelie to better suit the magical atmosphere of the film, my opinions remain unaltered.
Furthermore, in an interview which has been circulated widely on Tumblr in the last couple of weeks the composer Frode Fjellheim clearly states that the tune itself is only inspired by yoiking, calling it ‘en jojke-inspirert ting’, i.e. a tune inspired by yoiking, rather than being an actual yoik per se. This is hardly surprising, as the tune was originally written as a choral piece, but as it is called Vuelie, which is the South Saami word for a yoik, people have automatically coded it as a yoik, despite what Frode is actually calling it.
I maintain that a tokenist use of a cultural practice that was punishable by death until the late 18th century does not in fact count as inclusion, no matter how many times people tell me to be happy about the tune, and as much as I’m indeed happy for Frode to be earning a shit-load of money from his song, I do find the way in which it has been recorded to be deeply problematic nonetheless.
I mean, if they wanted something exotic without employing a Saami choir, they could have just gone full-on with the use of Scandinavian herding calls, which can be heard more or less whenever when some magic shit is going down in the film.
Over to the clothes; I have already explained why and how the clothes have been inspired by our traditional clothes in another post which can be found here, so I won’t spend too much time examining every part of Kristoff’s clothes, but I will mention a couple of things, the first thing being his shoes.
Kristoff is seen wearing a type of reindeer hide boots called goelke-gaamegh, or novhtegh in South Saami, but despite the fact that the shape is authentic, the lack of either shoelaces or woven shoebands and shoelaces mean that they would be highly impractical as snow would get into the shoes as they’re worn without a way to keep them tied closely to the leg.
Sure, shoes and odd clothes are hardly things that warrant any longer discussions, but the way in which all of Kristoff’s clothes seem to be almost Saami and then they’re not, well it really does not sit well with me at all.
I was brought up in an area of Saepmie where donning a gapta (traditional dress) was seen as something bad by the majority, something which warranted fierce discrimination, and to this day there are a gazillion unspoken rules, generational traumas and basic tiny details surrounding the wearing of our traditional dresses that I find it annoying to see the dress being bastardised in the way it’s been by Disney. As much as I don’t think of Kristoff as a Saami, I’d much preferred that they had at least made his clothes authentic, or not bothered with the so-called Saami influence at all.
Because what we now get to deal with are cosplayers who do not understand the deep, cultural codes behind our traditional clothes donning a fake version of our clothes and being applauded for it, while Saami children especially in my part of Saepmie struggle with the very idea of daring to put on a gapta in public because it’ll earn them snide, racists comments from the majority for daring to be publicly Saami.
To mention just one story of what wearing a gapta can result in, here’s one example. Last week I was talking to a friend of mine who uses his gapta regularly, and he told me how he’d worn it at a council meeting a couple of years ago when a right-wing politician had walked up to him, casually telling him that they were discussing plans on putting up new signs in a village close to Liksjoe, only they weren’t sure if the hanged Saami they wanted to put on it should be North or South Saami and seeing as my friend was being Saami in public, maybe he could wage in.
But let’s all cosplay Kristoff, why don’t we.
Finally, I would like to address the extensive myth-making in the film. On one hand Disney has done a great job at creating something fairly vapid, light-hearted and full of singable musical numbers, with an annoying yet somehow endearing talking snowman, but on the other hand they’ve made the Saami seem even more exotic and fairy-tale like by making Kristoff an orphan raised by trolls.
I mean, nice touch on writing ‘trolls’ in runes on the map at the beginning of the film, but the fact that the only supposed Saami in the entire movie is orphaned, thus stripped of a community which is essential to a Saami identity as our indigeneity is primarily communal rather than individual, and then have him being raised by fucking trolls just contributes to the idea that we’re either mythical creatures or not even real in the first place.
But it’s a film aimed at children, the trolls were so cute.
I actually enjoyed the song Let it Go, I liked that Kristoff was asking for consent before kissing Anna, I particularly liked the true-love twist at the end - but felt it would have been much better if the entire romantic subplot between Kristoff and Anna had been scrapped entirely, but there were so many parts of the film that I disliked that I couldn’t fully enjoy it and just sit back and “relax because it’s a children’s movie”.
The misrepresentation and myth-making surrounding Kristoff, i.e. the so-called Saami boy continues throughout the entire film and regardless of how minor it seems, it does feed into an ongoing discourse about us in Saepmie where we’re either seen as exotic or considered to be worth less than dirt depending on where you enter it. The fact that Kristoff is somehow Saami because he has a reindeer is another thing which grinds me the wrong way as this type of misinformation is already running wild over here and has been doing so for decades, i.e. that real Saami have reindeer, and it is making life complicated for actual reindeer and non-reindeer herding Saami alike in Saepmie.
Finally, for a company which claims to have done extensive research on the Saami, they’re clearly not knowing enough about us or even reindeer to know that
- Sven has the antlers of a female reindeer.
- A full-grown man would not be able to ride a reindeer bull. Like ever. The belief that Saami used to ride their reindeer goes all the way back to 1540, when Olaus Magni, who had never actually seen a real-life Saami, claimed that we used reindeer as horses and published this picture in one of his books:
In other words, Disney is contributing to keeping yet another prejudice about my people alive and kicking.
- Reindeer are wild animals, and even vuejeme-råantjoeh, i.e. bulls used to lead a herd of reindeer during reindeer migrations wouldn’t ever behave like a dog.
- Kristoff’s sleigh is distinctly Norwegian, and it’s way too heavy to be pulled by a reindeer.
If Kristoff actually was Saami, his sleigh would probably look a lot more like this, and he’d have been using skis instead of walking.
Is Frozen the worst thing that has ever happened to us as a people? Well no, but it doesn’t mean that it isn’t problematic anyway.
SIGNAL BOOST THIS. thank you for taking the time to write out your thoughts.
This is the kind of thing i mean when I said “listening” in this post.
"We kept Amethyst" indeed. You just know she’d pull pranks like this. Silly comic idea I sketched last week.
Also I need more hummingbird!Pearl in my life.
How To Read A 223-Page Novel In Just 77 Minutes
Spritz is a company that makes a speed-reading technology which allows you to get through a mass of text, reading every word, in a fraction of the time it would take if you were turning the pages of a book or swiping through a Kindle.
The basis of Spritz concept is that much of the time spend reading is “wasted” on moving your eyes from side to side, from one word to the next. By flashing the words quickly, one after the other, all in the same place, eye movement is reduced almost to zero. All that’s left is the time you take to process the word before the next one appears.
The company is selling licenses for other companies who might want to use the technology in operating systems, applications, wearables, and websites. Obviously, the tiny screen of a smart watch instantly springs to mind.
But the real revelation of Spritz is in trying it yourself.
First kakapo chick hatches since 2011
Painstaking repairs to a crushed kakapo egg have paid dividends with the arrival of the first kakapo chick since 2011.
There had been concern Lisa One would not survive after the egg was last week found crushed, on the nest.
The chick, belonging to kakapo mother Lisa, hatched on Friday evening under the anxious gaze of the Kakapo Recovery team, on Whenua Hou/Codfish Island.
Senior ranger Jo Ledington did an incredible job carefully repairing the egg with tape and glue, programme manager Deidre Vercoe Scott said.
"We only have five viable eggs on Whenua Hou and this one was the first laid. It was touch and go for a few days but with the special care and expertise of our team, the dedication has paid off," Ms Vercoe Scott said.
Lisa One is in an incubator on the island and receiving round-the-clock attention, including regular feeding, weighing and checks. It will be several weeks before it’s known which sex it is.
The other four eggs are also in incubator care and are expected to hatch at various stages during the next few weeks.
Lisa One’s arrival has increased the total population of the critically endangered New Zealand parrot to 125.
I break down into tears very VERY easily when I talk/hear about kakapos.
This makes me happy on a very deep level.
This deserves a rare parrot happy dance
Ok, so maybe it’s a Kakapo attempting an awkward unsuccessful mating with Mark Carwardine… but that can still be a kind of happy dance!
Avengers Assemble 1x17 - Savages [x]
I WAS ALL SET TO BE MAD THAT THEY WERE MAKING THOR A BIG, DESTRUCTIVE, DUMB IDIOT.
HE’S JUST AN OBNOXIOUS DICK WHO THINKS IT’S FUNNY TO CALL LIGHTNING IN THROUGH THE WINDOW TO MAKE POPCORN AND TOTALLY WRECK ALL OF TONY’S SHIT.
AND THE HULK SUGGESTING THINGS TO DO NEXT. I LOST MY FUCKING SHIT AND I’M NOT SURE I’M EVER GETTING IT BACK NOW.
WHAT A COUPLE OF ASSSHOLES. I LOVE THEM SO MUCH.
Tom Phelan plays trans teen Cole on ABC Family’s The Fosters. Phelan sat down with SheWired to discuss the show, working with Rosie O’Donnell and Maia Mitchell, and trans representation in the media.
Yep, that’s “trans representation”, Hollywood style. Trans men are authentically and sympathetically represented by trans men, trans women are horrifically caricatured by cis men, and the liberal media applauds this bullshit as “progress”.
Whoa whoa whoa, the actor is NOT a trans man.
The character Cole is played by Tom Phelan, who identifies as nonbinary and does not like gendered labelling when referring to them.
So the character is NOT being “authentically and sympathetically represented” by a trans man.
(Side note for context: Tom Phelan also recognised that their character holds a privilege that transwomen do not have, and that is being AFAB, but not female, in a female designated space. The actor is aware of privileges even within the trans community, and wants to fix it, and is taking the steps to have discourse and educate people on it.)
I understand your point and I agree with it, but please at least read the article you’re criticising, and maybe do a little research first.